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Access, 28. Mai 2004
question submitted by
jlpower:
do you ever wish you could write music totaly
180 from nails under a different name? fucking forget peoples expectations. i
hate using ‘side project‘. but that idea. just another side of your head, no one
else.
response from trent:
yes i do. i’ve been trying to make nin as broad
as possible but I may break it into sections in the future. not sure the best
way to do it yet
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question submitted by nal (oder auch hal, lässt sich schwer
erkennen):
what would you think if some chick got a tattoo
of your signature on: their ass in green ink, you ]know like a cabbage-patch doll?
my girlfriend is threatening to do that.
response from trent:
my feelings would depend on the size, shape and
contour of the canvas.
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question submitted by ___ (nicht entzifferbar, siehe Bild)
what is the connection between “into the the
void“ and “la mer“? they have the same melody, and i remember a television
commercial. for the fragile which seemed to fuse both songs together. did these
two songs begin as one?
response from trent:
a lot of the fragile involved songs emerging from bits of other songs, very
organically and subconsciously. “into the void“ an “la mer” both grew from the
same place- taken two very different directions. la mer’s conclusion is adrift
and at peace on still.
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question submitted by
violet:
how does it feel to be one of the last true
career artists remaining in rock music? nin and radiohead are still with us,
but otherwise almost all of the big bands who surfaced during the nineties are
dead, and the idea that a band can be popular for more than one generation
seems like a joke these days.
response from trent:
times change, tastes change, fads move on, the
nineties are over. i believe the key to having lasting interest as an artist is
to stay true to your own vision, and perhaps you will be pertinent in the
marketplace, perhaps not. catering to the marketplace = death.
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question submitted by urizen:
urizen wants to talk. urizen likes you very much.
urizen isn’t me. now, urizen likes your music, both when my mind is in times of
war or in times of peace. urizen sends stenght: and advice: whatever you need
to do to survive, do it... if you need help, ask for it... if you need time
with the record, if something troubles you- don’t give a fuck about us the
impatient fans. dig for you inner self and live. Everything has its time.
response from trent:
trent appreciates urizen kind words of
advice.
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question submitted by
stephen:
do you ever listen to your old work? are you able
to enjoy it, or do you look at everything like “oh i know i could do that better
now” etc? is there a value in listening to your older art?
response from trent:
i haven‘t listened to anything of mine for a
long time until last week. it was a nice and strange experience. i listened to the fragile an was surprised at how i
felt. i was very proud of that record when i finished it and i guess i allowed myself
to be convinced it wasn’t any good because it didn‘t perform commercially as well
as some hoped. i never thought i‘d allow myself to be swayed by sales figures
and what others thought of my work, but i had been.
when i put it on i felt the same surge of pride
i had when I finished it. i really think that’s a great record and it’s ok people
didn’t get it.
oddly enough,
the downward spiral and the fragile
have both mutated into different things to me after their release. a lot of
what i was getting at in the fragile is much clearer to me now.
i’ll explain at a later date.
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question submitted by
lunautilus:
you seem to be an intensly private an isolated
person. yet you can scrape out your soul and present the results to millions of
people. what gives?
response from trent:
shy, loner misfit type writes personal lyrics from
journal figuring the world won’t notice. world unexpectedly notices. shy,
loner, misfit type retreats further feeling unnaturally exposed.
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question submitted by
marc:
do you plan to continue nin indefinitely or is
there a shelf life in mind when you finally just have to say, i’ve needed to
say, “fuck it, i’ve said all i’ve needed to say.” hopefully, not anytime soon.
but could you picture yourself an older man with graying hair still presenting
nin in a similar way? or is nin going to undergo changes (like bowie’s career) to conform to your audience
age? granted, you have changed considerably from the first record to the record
you are working on, but the same themes have always been present throughout
your career. hopefully, i would like to see newer generations or listeners
experience new records and live shows from nin much like bowie’s audience has crossed generations.
thanks for the music.
response from trent:
i think nin has a sort of theme and tone to it
that will eventually run its course. i will know when that time comes. then it
will be time to do something else.
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question submitted by
konstantin:
for me you‘ve always been a mysterious person
and there‘s been so many unanswered questions floating around over the years.
and now, having the chance to see you talking about stuff is kind of a real
surprise for me... i mean, artists easily become idols for so many people and i
guess they, the artists, like to keep distance between them and the audience. i
think even the audience like such distance... and now, through giving us serious
answers about some stuff and goofing around on other stuff, you kind of make us,
or at least me, feel like you are one of us. i mean somebody really talented
who faces issues in his life, who expresses himself in a way that makes us all
be so thankful to you… my question is: what made you start this q&a
session?
response from trent: i like the immediacy of the internet, and i
wanted a forum to speak freely and frankly.
look forward to seeing you for the very first
time live in concert! been a fan of yours for quite a while and I moved to the
us from bulgaria two years ago. can’t stop going to
concerts now! just saw the cure last night. they are really something.
response from trent: the cure are great. i’ve seen them many times
over the years and they‘re one of my favorites.
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oben
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