NINE INCH
NAILS [7]
‘Y34RZ3ROR3MIX3D‘ (INTERSCOPE)
‘Year Zero‘ came as something of a surprise to
seasoned Nine Inch Nails watchers. Not only was it released a mere two years
after With Teeth‘, an unusually fast turnaround for the normally tardy Trent
Reznor, but it was also pretty damn good. A fully realised dystopian concept
album, mostly written on a laptop on tour and a reversion to a more streamlined
electronic sound, it felt less like a retread of past glories and more like a
portal to a new beginning. And with this album fulfilling his Interscope
contract, leaving NIN to follow Radiohead‘s lead in direct marketing to their
fanbase, the fact Reznor is already talking about a new record suggests this
frenzied burst of creativity has not yet reached its peak.
As usual, however, first it‘s time for the
obligatory remix album, and having declared that “remix records can be
disposable garbage“ - not at all a reference to ‘Things Falling Apart‘ and its
THREE versions of ‘Starfuckers Inc.‘ - ‘Y34RZ3ROR3MIX3D‘ is a determined
attempt by Trent to do something a little different, commissioning mixes from
the likes of hip-hop poet Saul Williams, New Order‘s Stephen Morris and Gillian
Gilbert, multi-tasking chamber group Kronos Quartet, NYC bass legend Bill
Laswell, Swedish electro act The Knife and even a fan (Pirate Robot Midget) who
submitted a remix via the internet. Morris and Gilbert, who get two stabs here,
turn ‘Year Zero‘ standout ‘Zero Sum‘ into a burbling electro-ballad and ‘God
Given‘ into an old-fashioned EBM stomper, while Christian Fennesz smothers ‘In
This Twilight’ in a heat haze of feedback. Williams, long championed by Reznor,
transforms ‘Gunshots By Computer’ into an edgy rant, while Ladytron deliver a
darkly disco-fied ‘The Beginning Of The End‘ that‘s significantly more impressive
than anything they‘ve managed under their own steam of late. Real World‘s
Stefan Goodchild beefs up ‘The Warning‘ with some stunning percussion from
Senegalese drummer Doudou N‘Diaye Rose, as Kronos Quartet, who have recently
also covered Sigur Rós, turn ‘Another Version Of The Truth‘ into a nicely
austere chamber piece, On the negative side, The Faint deliver exactly what you’d
expect from a fading electroclash act, and The Knife‘s Olof Dreijer opts for
the minimal techno approach, distilling ‘Me, I’m Not‘ into a ghostly smear
that, like one of Ricardo Villalobos‘ more self-indulgent moments, doesn‘t do
enough to justify its 14-minute existence.
More intriguingly, while the triple-vinyl
version features additional remixes including one from Interpol drummer Sam
Fogarino, the CD also allows fans to reinterpret ‘Year Zero‘ themselves by
offering up the masters via Ableton or Garageband. These will then be posted on
a specially designed website - and given that the Pirate Robot Midget
bass-heavy overhaul doesn‘t sound at all out of place in this exalted company,
that could be a very smart move on Reznor’s part. As with all remix albums,
‘Y34RZ3ROR3MIX3D‘ neither adds nor subtracts from the original source, but as
Reznor moves into a new and (at present) uncertain future, this is a pretty
good stab at kissing the old NIN goodbye.
FOR FANS OF: Nine Inch Nails, Fennesz, New
Order, Sau! Williams
www.nin.com
NEIL GARDNER
|